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UID:d00619aa-7745-42d3-a058-b6e21e274cb3@serotonin-calendar
DTSTAMP:20260908T160431Z
DTSTART:20261125T190000Z
DTEND:20261125T230000Z
SUMMARY:SHIBARI ELEMENTS 10 // ROPE PORTRAITS — FACE ROPE LAB // INTERMED
 IATE
LOCATION:Rope Jam Studio \, 7 Fountayne Road\, Unit 2\, N15 4QL
DESCRIPTION:ROPE JAM STUDIO Our studio is proudly LGBTQIA+\, FLINTA+ and Bi
 POC supporter and ally\, and we are committed to creating an inclusive and
  welcoming space for all bodies and…\nROPE JAM STUDIO Our studio is prou
 dly LGBTQIA+\, FLINTA+ and BiPOC supporter and ally\, and we are committed
  to creating an inclusive and welcoming space for all bodies and identitie
 s. SHIBARI ELEMENTS 10 // ROPE PORTRAITS — FACE ROPE LAB // INTERMEDIATE
  The Shibari Elements Lab series returns\, expanded to provide all the too
 ls you need to create your own alchemical Kinbaku and Shibari scenes. Each
  Element explores a single fundamental component of rope in depth. Togethe
 r\, they form a growing vocabulary that can be combined and applied to flo
 or work\, self-tying\, partial suspension and full suspension. ELEMENT 10 
 // ROPE PORTRAITS — FACE ROPE LAB The face is where identity\, emotion\,
  resistance and surrender become visible. In Rope Portraits — Face Rope 
 Lab \, we will explore the complete face through rope\, including the fore
 head\, eyes\, cheeks\, nose\, jaw\, lips and mouth. We will discover how r
 ope can frame\, conceal\, reveal and transform the face\, creating living 
 portraits shaped by line\, sensation and human presence. Face rope can be 
 delicate\, intimate\, playful\, unsettling\, beautiful or grotesque. A sin
 gle line can redirect our attention\, alter an expression or completely tr
 ansform how we perceive the person before us. Rather than reproducing a pr
 edetermined mask\, we will observe the individual face and allow each port
 rait to emerge from its unique features\, expressions and responses. We wi
 ll work with different approaches to face\, head and mouth rope\, explorin
 g how lines can travel around and across the face while respecting the ana
 tomy and function of each area. Mouth rope introduces another expressive a
 nd sensory dimension. It can frame or conceal the mouth\, alter speech\, i
 nvite sound or silence\, and create experiences of vulnerability\, exposur
 e\, objectification and surrender. We will also investigate how face and m
 outh rope change communication. When facial expression\, vision or speech 
 is altered\, breath\, sound\, gaze\, movement and non-verbal signals acqui
 re new importance. Following the philosophy of Tiger Nawa Ryū \, we teach
  concepts rather than patterns. The aim is not to reproduce one face tie\,
  but to understand how rope interacts with identity\, expression\, sensati
 on and composition so that every rope portrait can emerge from the face an
 d moment in front of us. WE WILL EXPLORE • Observing the face and head b
 efore placing any rope • Relevant anatomy and areas requiring particular
  care • Selecting appropriate rope lengths\, diameters and textures • 
 Hygiene and the use of dedicated face and mouth ropes • Risk-aware place
 ment\, pressure and tension • Creating stable connections without excess
 ive compression • Working around the forehead\, crown\, cheekbones\, jaw
 \, ears\, lips and mouth • Keeping the eyes\, nose\, airway and front of
  the neck protected • Framing\, dividing\, revealing and concealing the 
 face • Symmetry\, asymmetry and irregular composition • Creating masks
 \, cages\, lines and sculptural forms • Augmenting\, abstracting and tra
 nsforming facial features • The relationship between face rope and hair 
 • External mouth wraps and different approaches to mouth rope • Rope g
 ags and bit-style mouth rope • Framing\, opening\, covering and transfor
 ming the mouth • Silence\, sound\, speech and altered expression • Dro
 oling\, exposure and objectification • Protecting the teeth\, gums\, lip
 s and jaw • Connecting face rope to safe\, independent body ties • Sen
 sory stimulation and controlled sensory restriction • Communication when
  facial expression\, vision or speech is affected • Establishing and tes
 ting verbal and non-verbal signals before tying • The rope bottom’s br
 eath\, expression and embodied response • Intimacy\, vulnerability\, exp
 osure and transformation • Creating rope portraits for scenes\, performa
 nce and photography • Progressive release and observing how the face re-
 emerges • Adapting every exploration to the individual face and body Onc
 e the fundamental principles are understood\, the lab will open into creat
 ive experimentation. What change\nhttps://www.tickettailor.com/events/rope
 jam/2400302\nSource: ENM Fam on Teamup
URL:https://www.tickettailor.com/events/ropejam/2400302
STATUS:CONFIRMED
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