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UID:8d6c03c8-67d9-4bcb-b88c-efd942ec94b2@serotonin-calendar
DTSTAMP:20260920T102105Z
DTSTART:20270303T190000Z
DTEND:20270303T224500Z
SUMMARY:SHIBARI ELEMENTS 6 /// INTRO TO THE GOTE - TAKATE KOTE /// THE ONE 
 AND TWO ROPE TK
LOCATION:Rope Jam Studio \, 7 Fountayne Road\, Unit 2\, N15 4QL
DESCRIPTION:ROPE JAM STUDIO Our studio is proudly LGBTQIA+\, FLINTA+ and Bi
 POC supportive and allied. We are committed to creating an inclusive and w
 elcoming space for all bodies and…\nROPE JAM STUDIO Our studio is proudl
 y LGBTQIA+\, FLINTA+ and BiPOC supportive and allied. We are committed to 
 creating an inclusive and welcoming space for all bodies and identities. S
 HIBARI ELEMENTS 6 /// INTRODUCTION TO GOTE /// 1 & 2 ROPE TK /// IMPROVERS
  The Shibari Elements Lab series returns\, expanded to provide you with th
 e tools you need to create your own alchemical Kinbaku and Shibari scenes.
  Each Element explores one fundamental component of rope in depth. Togethe
 r\, they form a growing vocabulary that can be combined and applied to flo
 or work\, self-tying\, partial suspension and full suspension. ELEMENT 6 /
 // INTRODUCTION TO GOTE The Gote is one of the most recognisable and influ
 ential families of upper-body ties within Kinbaku. By positioning the arms
  behind the body\, it can create structure\, restriction\, posture and a p
 owerful relationship between the person tying and the person being tied. T
 here is no single universal Gote or TK. Different bodies\, shoulders\, int
 entions and styles require different approaches. In this workshop\, we wil
 l explore introductory one-rope Gote and two-rope Takate Kote construction
 s\, examining how each component affects structure\, sensation\, mobility 
 and appearance. Rather than forcing the body into an idealised shape\, we 
 will begin with the individual body in front of us. Through concepts inspi
 red by Tiger Nawa Ryū\, we will approach the Gote as a functional structu
 re that can be understood\, adapted and applied with care. BEFORE THE ROPE
  /// NERVES\, CIRCULATION & MOBILITY Before placing any rope on the body\,
  we will observe the untied body and establish an individual baseline. We 
 will explore: The principal nerve pathways affecting the shoulders\, upper
  arms\, forearms\, wrists and hands An introductory understanding of the r
 adial\, ulnar and median nerves Areas where nerve compression is more like
 ly to occur Circulation and other pressure-sensitive areas Shoulder rotati
 on\, mobility and range of movement Existing injuries\, asymmetries and ph
 ysical limitations Baseline sensation in the arms\, hands and fingers Warn
 ing signs that require the rope to be adjusted or removed Communication an
 d checking methods before\, during and after the tie This initial observat
 ion helps us understand how the body moves and feels before restriction is
  introduced. Only after establishing this baseline will we begin placing r
 ope. ENTERING THE GOTE /// BODY & POSITIONING We will explore how to bring
  the arms into position without forcing the shoulders or ignoring the body
 ’s natural limitations. This includes: Different arm and hand positions 
 Shoulder rotation and individual range of movement Recognising tension or 
 discomfort before tying How posture changes the experience of the tie Posi
 tioning the arms according to the body Entering the Gote progressively and
  with communication Recognising when a Gote should be modified or avoided 
 ONE-ROPE GOTE We will begin with the first rope as a complete structure\, 
 exploring how a simple construction can already create containment\, restr
 iction\, connection and emotional intensity. We will practise: Creating th
 e initial arm structure Different entrances into the Gote Positioning with
 out forcing the shoulders Relationships between the wrists\, forearms and 
 torso Rope direction and tension Using the first rope as a complete floor 
 tie Preparing a stable foundation for a two-rope TK Minimal and more restr
 ictive variations Adapting the construction to different bodies TWO-ROPE T
 AKATE KOTE We will then develop the structure into an introductory two-rop
 e Takate Kote. We will explore: Upper and lower bands Band placement and s
 pacing Managing tension within the structure Stem and stemless approaches 
 Top and bottom Kannuki The function of the Kannuki Connecting the bands wi
 thout unnecessary compression Preventing the structure from shifting or co
 llapsing Monitoring sensation throughout the tie Adapting the TK to differ
 ent bodies and shoulder positions VARIATIONS & STYLES A Gote can communica
 te\nhttps://www.tickettailor.com/events/ropejam/2399744\nSource: ENM Fam o
 n Teamup
URL:https://www.tickettailor.com/events/ropejam/2399744
STATUS:CONFIRMED
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