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UID:4a539aff-33d8-4e79-8ca3-3c3305875919@serotonin-calendar
DTSTAMP:20260902T020111Z
DTSTART;VALUE=DATE:20260822
DTEND;VALUE=DATE:20260824
SUMMARY:KINBAKU - SHIBARI ART LEVEL 3 /// SHAPES VOCABULARY /// Weekend Int
 ensive — time TBC
LOCATION:Rope Jam Studio\, 7 Fountayne Road\, Unit 2\, N15 4QL
DESCRIPTION:The date is known but the event time has not yet been confirmed
 .\nKINBAKU ART LEVEL 3 Ties and Shapes Vocabulary Bodies\, Forms\, Tension
  & Chest Harnesses Summary A two-day Level 3 weekender dedicated to expand
 ing your Kinbaku vocabulary through…\nKINBAKU ART LEVEL 3 Ties and Shape
 s Vocabulary Bodies\, Forms\, Tension & Chest Harnesses Summary A two-day 
 Level 3 weekender dedicated to expanding your Kinbaku vocabulary through a
  wider range of ties\, body shapes\, harnesses\, floor forms\, and tension
  refinement. After Level 2’s focus on Aibu Nawa\, presence\, Ki\, and de
 ep listening\, Level 3 begins to develop a broader technical and artistic 
 vocabulary. We explore how to create the most useful and iconic Shibari ti
 es\, how they affect emotion\, posture\, exposure\, protection\, vulnerabi
 lity\, and power\, and we will master tension\, one of the essential skill
 s of the Bakushi /Nawashi /Rigger Level 3 is about learning a wider vocabu
 lary of ties and forms. This vocabulary of ties will later become the foun
 dation for Level 4\, where we begin to use it in partial suspension\, and 
 Level 5\, where it develops further into full suspension work and transiti
 ons. About the course In this weekend course we explore Kinbaku - Shibari 
 art as an experience. A tie becomes meaningful when it creates a state\, a
  posture\, a feeling\, a visual image\, or a relational dynamic between Ba
 kushi (Rigger) and Ukete (model). In Level 3\, we will learn how ties work
 \, why they work\, and how they can be adapted to different bodies\, diffe
 rent moods\, and different creative intentions. We train how to build and 
 refine shapes with intention and precision. We study how the body is folde
 d\, opened\, compressed\, stretched\, turned\, framed\, and held. We look 
 at how rope placement changes the emotional tone\, and how keeping and rec
 overing tension allows the rope to remain alive\, precise\, and connected.
  The focus here is: “Let’s tie with intention” What you’ll train S
 hape vocabulary: learning a wider range of ties\, body forms\, and rope po
 sitions Tension refinement: keeping tension\, recovering tension\, and und
 erstanding how tension supports structure\, sensation\, communication\, an
 d safety Hip harness foundations: pelvic framing\, grounding\, lower-body 
 control\, exposure\, and support Body reading: understanding how each body
  responds differently to compression\, folding\, opening\, and pressure Fl
 oor-based Kinbaku: creating strong visual and emotional forms without rely
 ing on suspension Chest harness vocabulary: Ishi TK\, armless chest harnes
 ses\, Butterfly Harness\, and torso-based structures Adaptation: adjusting
  ties to different bodies\, flexibility levels\, and emotional states Aest
 hetic awareness: lines\, angles\, posture\, asymmetry\, stillness\, and co
 mposition Day 1 — Shapes Vocabulary: Floor Forms\, Hip Structure & Tensi
 on Topics Shapes as language: how rope creates emotional and visual meanin
 g From tie to form: understanding posture\, pressure\, direction\, and int
 ention Tension as an element: keeping tension\, recovering tension\, and u
 nderstanding where tension is held or lost Refining frictions: clean struc
 ture without overloading the body Compression and folding: how to create i
 ntensity without forcing Hip structure: how rope can frame\, stabilise\, e
 xpose\, support\, and guide the pelvis Exposure and protection: how body p
 osition changes emotional tone Body limits: knees\, hips\, shoulders\, spi
 ne\, breath\, circulation\, and nerve awareness Stillness and image: allow
 ing the shape to speak before moving on Main ties / shapes Agura Hog tie M
 ermaid\, high\, low\, and full Hip Harness structure Exercises / drills Te
 nsion study: keeping tension alive through the tie and recovering it when 
 it is lost Shape mapping: how one tie changes depending on rope direction 
 and body position Agura studies: grounding\, opening\, containment\, and s
 eated vulnerability Hog tie studies: compression\, exposure\, restraint\, 
 and breath awareness Mermaid studies: asymmetry\, elegance\, side-body awa
 reness\, and emotional tone Hip Harness studies: pelvic framing\, lower-bo
 dy control\, exposure\, grounding\, and support Adaptation practice: modif
 ying each shape for different bodies\, flexibility levels\, and emotional 
 states Day 2 — Chest Harnesses: Torso Structures\, TK Variations & Butte
 rfly For\nhttps://www.tickettailor.com/events/ropejam/2314311\nSource: ENM
  Fam on Teamup
URL:https://www.tickettailor.com/events/ropejam/2314311
STATUS:CONFIRMED
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