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UID:1e31fa33-a462-485a-bc92-0ccc39ce64c0@serotonin-calendar
DTSTAMP:20260902T020046Z
DTSTART:20260902T180000Z
DTEND:20260902T213000Z
SUMMARY:Studio Ma: Bisoku - The Slow Burn with Anna Noctuelle
LOCATION:Studio Ma
DESCRIPTION:Bisoku - The Slow Burn How slowness drags our deepest desires i
 nto the light We tend to treat rope as something we do — a sequence to c
 omplete\, a suspension to reach\, a shape to…\nBisoku - The Slow Burn Ho
 w slowness drags our deepest desires into the light We tend to treat rope 
 as something we do — a sequence to complete\, a suspension to reach\, a 
 shape to achieve. Not here. In bisoku 微速 - a term borrowed from Butoh-
 influenced practice we'll make it hard. We'll slow the rope down until the
  goal falls away. And the second it's gone\, something else moves in. The 
 want beneath the want. The desire that only speaks once the noise has gone
  quiet. The tease that emerges from time\, from gravity\, from space. It i
 s a different world\, and it opens onto your innermost emotional landscape
 . Slowness is not the soft option. It's the exposing one. At this pace the
 re's nowhere left to hide. This is where "holding space" becomes literal\,
  something you carry in your hands. But this is also the space where we di
 ssolve and are being held\, by time and space. A place we can just be in. 
 We'll work with ma \, the silence between the notes\, the pause before the
  inhale\, the quiet before the storm\, the space that allows creation\, un
 til a single moment cracks open into something vast. Until attention goes 
 so total that time loosens its grip\, and the rope seems to move both of y
 ou at once\, rigger and model breathing as one. In this class we will: Cre
 ate intensity without escalation —discover how anticipation can become m
 ore powerful than action. Develop profound presence —cultivate a level o
 f attention that changes how you experience rope\, yourself\, and your par
 tner. Use space as a tool —explore ma \, the charged interval where conn
 ection\, emotion\, and meaning emerge. Deepen non-verbal communication —
 allow rope\, timing\, gravity\, and stillness to become active participant
 s in the scene. Unlock richer emotional landscapes —access layers of vul
 nerability\, longing\, surrender\, and connection that speed often conceal
 s. Feel familiar ties in a completely new way - learn how to tie something
  that is familar with different intention\, discover new details in the ti
 e\, become more versatile in expression Come willing to go slower than is 
 comfortable — and feel the tectonic plates shift. Requirements In this c
 lass\, Anna will select the harnesses and sequence we will work with. The 
 material can be adapted to a range of experience levels\, but riggers shou
 ld have a basic familiarity with Single Column Ties (SCTs)\, Double Column
  Ties (DCTs)\, and possibly a handful of simple harnesses. The more techni
 ques you have in your muscle memory\, the more options you'll have availab
 le when responding in the moment. What's most important\, however\, is tha
 t you have at least a few ties that feel familiar—something you can exec
 ute comfortably without needing to focus on the pattern itself. This allow
 s your attention to remain on the connection\, the exercise\, and your par
 tner rather than on remembering the mechanics. Models as well as riggers s
 hould bring curiosity\, presence\, and a willingness to engage with the ex
 ercises. This is far more important than technical knowledge. This worksho
 p focuses on awareness\, observation\, and connection. Models should be co
 mfortable participating actively\, giving and receiving feedback\, and exp
 loring subtle shifts in communication and emotional expression. Whether yo
 u're new to rope or highly experienced\, you will raise your ability to no
 tice\, respond\, and stay present. About the educator: Anna Noctuelle has 
 spent over twenty years in rope\, teaching and performing internationally.
  She is versed across multiple Shibari lineages\, giving her cross-traditi
 onal fluency spanning Aibunawa\, Semenawa\, and Fusion approaches. Grounde
 d in classical dance\, choreography\, and somatic movement shapes a teachi
 ng style built on presence\, emotional attunement\, and making room for wh
 at people are most afraid to express. She is the creator of Shibari Score 
 Notation\, co-host of the podcast Model Behaviour \, and co-founder of Lon
 don's Studio Ma. She's the creator of Shibari Score Notation\, co-host of 
 the podcast Model Behaviour \, and co-founder of London's\nHosted by Studi
 o Ma\nhttps://www.tickettailor.com/events/mastudio/2246727\nSource: ENM Fa
 m on Teamup
URL:https://www.tickettailor.com/events/mastudio/2246727
STATUS:CONFIRMED
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